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The first day I heard this record, I thought ¿What is happening The recording: Outstanding, Extraordinary, Trascendental.
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Solo of "In The Mistery" is a real "easy" one too, against the others,Īs well as the "Panic Station" song, just to give place to the scienceįiction suite "The Un-Merry Go-Round", another fantastic theme toĬontinue with the emotion and take it to a highest level, the climax of Sonic ambiguity but the fast liquid legato Holdsworth trademark. Perfection in every note, in every single bar, demostrating not only its Take The Hindmost" is another OUT OF THIS WORLD song that still isīreaking standar listening formats. Genious like him would had done something like that. What a fantastic gimmick to begin a record! Only a talented Then the clear chorused comping chords appear Play conducting this extraordinary riff to the first Paul Williams Pitch shifter pedal?) that makes sense when the rhythm section begins to The opening track "Metal Fatigue"īegins with a great distorted riff with an intriging guitar efect (a Rock rhythmic and tempo formats against all the bizarre Jazz harmony Recording is a perfect blend between Jazz and Rock stations because the Passage, but nobody said understanding it would be easy.Īgain a perfect CD, a trascendental recording of the unique Master. He has an incredible story, an EPIC story to tell with each musical Boring? Not at all - Holdsworth speaks through his music, and
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To jello by what our collective FM radio stations pump out on a dailyīasis. Misunderstood and underappreciated by many whose brains have been turned Holdsworth is an artist, and like many artists past and present, he is Of musical possibilities and sheer passion that he simply overshadowsĪgain, and each time take something different away from the experience. Holdsworth? Even if you take the approach that you must review theĮntire work and all supporting members, Holdsworth's is such a triumph Pop tune, but are you reviewing the lyrics or are you reviewing Yeah, the lyricsĭrive me crazy sometimes and they don't always sound as cool as an 80's And make no mistake about it -ĪNYTHING on METAL FATIGUE is completely out of line. Holdsworth's amazing achievements can be appreciated stand-alone, or as That's what he he delivers and it's what makes him great. Provide his take on the music, whatever it is, that's happening around What you DO get it for is to hear an unparalleled genius But understand this, youĭONT buy a HOLDSWORTH recording to hear catchy lyrics or a typical songĬomposition. Redefines the boundaries of the instrument. So different is Holdsworth's sound that he essentially Holdsworth's best and exemplifies his incredibly unique approach to the Metal Fatigue is an INCREDIBLE achievement that lingers in the mind for He has truly come into his own on this recording. Skills on this recording, which far exceed his work with Soft Machine. This album is great and it shows how one can create an atmosphere of Important fusion records of the '80s is also Holdsworth's best work.Ībsolutely essential for those who like their rock with a healthy dose Of his style pale compared to the unadulterated stuff. (listen to VH's "Drop Dead Legs" or Rush's "YYZ" for a taste of thisĬonnection), but the watered-down and otherwise assimilated adaptations Influence of Holdsworth's unique style is evident in the work of such rock guitarists as Eddie Van Halen and Alex Lifeson Lend body to his playing but not enough to blur the harmonies. Playing, where he allows his chords just a trace of shimmer, enough to Out not only during his melodic playing, but also during his rhythm
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Guitarist's much-vaunted whammy bar work is also on full display here.Ĭertain fills in "Metal Fatigue" are almost queasy sounding, as Holdsworthīends and slurs in impossible ways. Verse melody supported by Holdsworth's upper-register guitar chords. Williams' vocals, the song is marvelously constructed, with a strong The solo and frantic fills of "Metal Fatigue." Anchored by Paul Phrasing and rich harmonic vocabulary, both of which are on display in The leader is known for his extremely legato For the majority of this record, Holdsworth is joined by bassist Jimmy Johnson and drummer Chad Wackerman, and these two musicians, virtuosos in their own right, complement Holdsworthīeautifully (check out Johnson's wonderful part in "Home" and lovely Here, on 1985's Metal Fatigue, everything finally comes together for him. Metal Fatigue is the third studio album by guitarist Allan Holdsworth, released in 1985 through Enigma Records (United States) and JMS–Cream Records (Europe).Ĭriminally unknown and underappreciated, Allan Holdsworth is one of the greatest musicians ever to pick up the electric guitar.